Yousuf Mohammad

Delivered entirely by me from raw footage to final video, including the edit, colour grade, sound design and VFX. Created using Premiere Pro and After Effects, with Photoshop used to build assets for the map sequences.

Completed independently with no provided direction, developing the concept and execution from scratch. Filmed real packets against green screen and composited them into the advert, including the packet-rip and scattered-sweets scene that Niko's team specifically praised as one of their favourite parts.

Edited and graded hours of raw footage into the final studio gameshow video, including split screens, camera movement, masking and studio clean-up. Providing notes and opportunities for the VFX team to polish the video with motion graphics.

Edited and graded hours of raw footage into the final studio gameshow video, including split screens, camera movement, masking and studio clean-up. Providing notes and opportunities for the VFX team to polish the video with motion graphics.

Delivered entirely by me from raw footage to final video. Regraded and recomposed the footage, added dynamic camera movement and created the motion graphics used throughout to visually communicate the key ideas.

Edited entirely by me from the original podcast footage, shaping the raw material into this intro. As the client requested no explicit instruments, the sound design was built around a vocal nasheed.

Delivered entirely by me from raw footage to final video, including the edit, motion graphics and scripted voiceovers. AI restoration tools were also used to recover sections of heavily compromised microphone audio.

Delivered entirely by me from raw footage to final video. To avoid relying on copyrighted match footage, I used AI-assisted workflows and After Effects animation to recreate key football goals as visual references to the original goals while avoiding copyright infringements.